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Rufus T. Firefly
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is one way of saying it, though I prefer "mensch"
Sep 2000 time: 07:21
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quote: Originally posted by shawnmmcc
Rufus - I'll grant you Aaron Copeland - I transposed names, I'm terrible about that - but John Philip Sousa is considered a great American from his time period, and his music has lasted. Also, reference Louis Armstrong - was it really him or is he just the popularized icon for jazz. I like jazz in a casual way (including Armstrong) but often those who become known for it are not the real greats. Sort of like the credit Einstein gets for the A-bomb, when Fermi deserves much more credit. |
It was really him. There were jazz players before Armstrong (though not by much) and jazz musicians contemporary with him, but no one played it better, innovated more, was more revered by fellow musicians, or did more to define what we mean by "jazz" today. The comparison to Mozart wasn't glib; Armstrong really was that important to jazz, and that head-and-shoulders above everyone else (though Charlie Parker gets close, but even Parker is unthinkable without Armstrong). It's amazing and distressing to me that he could be on his way to becoming an historical footnote; it would be like the Germans forgetting about Mozart, or the British forgetting about Shakespeare.
And I see your point about Sousa; but the genre of military music itself is small, self-contained, and without any real impact on the larger culture (in fact, is there such a thing as "contemporary military music"? Or did it just kind of stop with Sousa?). Jazz swept the world.
Add to that Armstrong's unflinching and very public support of the civil rights movement -- very similar to Jackie Robinson's -- and his very effective deployment as a Jazz Ambassador (along with Dizzy Gillespie and Duke Ellington) during the Cold War, and in the end you have one truly great American.
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Dr Strangelove
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quote: Originally posted by MrFun
There's a lot of stupid people out there . . . . .
Reagan is numero uno. |
What really were his lasting accomplishments?
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mrmitchell
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quote: What really were his lasting accomplishments? |
Personally spreading AIDS to 2,500 gay men
Eating Nicaraguan babies for breakfast
Putting together one coherent sentence
Giving confidence to millions of wierdos to be proud that they're Republican
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Rufus T. Firefly
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is one way of saying it, though I prefer "mensch"
Sep 2000 time: 07:21
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quote: Originally posted by shawnmmcc
OK Rufus - I didn't know the rest of Louis Armstrong's history - that makes him a great American. FYI, I was bringing up Copeland reference people like Michael Jackson making the list. Nobody bothered to try to compete with Sousa's work after his death, and even today marching bands play him music. He essentially was such a genius he helped stop the genre cold. What's sad is that he really wanted to be a songwriter and poet. Obviously that's not where his genius lay. |
I take your point, particularly regarding Jackson. BTW, have you every seen teh old Hollywood film bio of Sousa? There's a hilarious scene where he composes a ballad with really schmaltzy lyrics and wants his wife to hear it; she sits down to play it, he begins singing his awful treacle, and his wife suddenly shifts up-tempo and shows him that even his love song is really a march (The Washington Post, iirc). Hilarious scene, and a pretty good movie.
Besides, any guy who wrote the theme to Monty Python's Flying Circus should definitely be on the list. 
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shawnmmcc
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Which makes my point - his music will be around for generations to come. I also agree that applies, even more so, for Louis Armstrong and I suspect Elvis. The difference is that Louis Armstrong also made a difference for the country, given what you've told me about his involvement in Civil Rights. That makes him very possibly the greatest of the American musicians. Are there any other American musicians who were so definitive for their genre, internationally famous, and yet who also made a lasting contribution to their civil society?
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Sikander
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Boulder, Colorado, United Snakes of America
Jan 2000 time: 22:21
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quote: Originally posted by Rufus T. Firefly
It was really him. There were jazz players before Armstrong (though not by much) and jazz musicians contemporary with him, but no one played it better, innovated more, was more revered by fellow musicians, or did more to define what we mean by "jazz" today. The comparison to Mozart wasn't glib; Armstrong really was that important to jazz, and that head-and-shoulders above everyone else (though Charlie Parker gets close, but even Parker is unthinkable without Armstrong). It's amazing and distressing to me that he could be on his way to becoming an historical footnote; it would be like the Germans forgetting about Mozart, or the British forgetting about Shakespeare.
And I see your point about Sousa; but the genre of military music itself is small, self-contained, and without any real impact on the larger culture (in fact, is there such a thing as "contemporary military music"? Or did it just kind of stop with Sousa?). Jazz swept the world.
Add to that Armstrong's unflinching and very public support of the civil rights movement -- very similar to Jackie Robinson's -- and his very effective deployment as a Jazz Ambassador (along with Dizzy Gillespie and Duke Ellington) during the Cold War, and in the end you have one truly great American. |
Armstrong was perfectly placed in time and space and talent to be for several decades constantly placed at the leading edge of Jazz as it made its most important changes and created its most enduringly popular forms. Many of us remember him only as a living legend, but before that he already had lived a lifetime as a major innovator. He's not even one of my favorite jazz players / composers, but his greatness and influence is undeniable.
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Dr Strangelove
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Long before Elvis American jazz had spread around the world and had become the music of the avant - guard set of society. It took the mass media (radio and TV networks, big record companies) to give the "pop" music genres (rock, country, hip-hop) the ability to shove other forms of music out of the public conciousness.
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