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finbar
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Castiglion Fiorentino, Italy
Jan 1970 time: 06:31
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$10,000 a week and brain damage. The pressure within that system is mindboggling. Scripts can be completely rewritten two or three times between the first readthrough and taping five days later. The rewriting is done overnight. The constant, ongoing demand is to produce funny material under the direst circumstances. That's why, if you watch the credits on a show like "The Simpsons", you'll notice completely new Writer/Producer names every season. That's why they're paid so much - they burn out. That's why there are so many on-screen Producer credits at the start of American sitcoms, they're all mainly the writers who do all the rewriting. And if anything ever goes wrong, who gets shafted first? And if the star has a tantrum, who gets shafted? And if you get shafted, there are at least 3000 other aspiring types desperate for your job. There are 4000+ fully professional TV writers in LA alone, about 2500 on the East Coast. In this country, there are maybe 75 fully professional TV writers, and about half that number whom you can rely on to produce the goods.
Case closed.
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Carolus Rex
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Sweden
Jan 1970 time: 06:31
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You guys still not talking to non-aussies in this thread?
Carolus (realising he sets the stage...)
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