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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:37
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Whaleboy:
quote: It's like questioning the means by which a player joins a football team with a view to seeing which team is better. The only way to tell which team is better is to let them play! |
But when critiqueing an artist, don't you also critique the idea or thing that inspired the work as well as the work itself? You critique a Picasso painting on its own grounds AND that which it attempted to represent... why did Picasso choose this idea/thing? was it a good one to choose? did he fulfill the idea's/thing's unconcealment or portrayal that is the work?
Picasso may be a hard example what with him being a cubist but take Da Vinci's Mona Lisa... not only do you judge the actual work itself but also the thing from which the work was derived. If Da Vinci chose to paint a woman from the start and not himself... if Da Vinci painted another woman with different characteristics... if Da Vinci chose to not portray the Mona Lisa with her grin... all these are pre-work things from which a different work could have been derived.
Those pre-work things are the emotions to the logical position that is the work. Why would a thourough art criticism include a question of "Why this work this way?" while intellectual debate does not?
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Lincoln
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Actually I have learned a great deal from people I was tempted to (and may have) attacked personally. It is kind of like saying that the truth hurts. It is normal to be offended when a cherished logical position is refuted but the wise man gets over it and learns something. I see Speer's point but it is too easy to trash someone's argument because we think he is an evil whatever. If a racist is trying to devise a policy he still may have some important contribution to the discussion which will be missed if he is discarded out of hand. Heck, I even learned something from a liberal once...
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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:37
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yeah aint it surprising how long this has lasted?
Mark:
the correctness of an arguement is analogous to the beauty of a work of art. I'm not discussing the beauty of the arguement but its equivalent.
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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:37
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GePap:
Nietzsche's (and Hume's) 'emotivism', as Whaleboy calls it, would, by extension, cause him to have no problem with ad hominems. Nietzsche's annoyance with the soulless reason of Kant and Schopenhaur and his emphasis on the spirit, the emotions, and the plurality of the soul can allow one to infer that he would argue roughly what i am argueing.
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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:37
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Molly Bloom:
there is one big difference between what i described and your examples. The racist's plan concerns the schooling in a mainly minority area so there is a relation and one could realistically infer that the racist's education policy is racially based. Hitler's racism had nothing to do with his building of the autobahn.
i refer to the analogy of art where the emotions are that idea or thing which the painter bases his creation on. the emotions are connected to the created.
GePap:
quote: A debate based on illogic is a bastard piece of art, a flawed and weak creation made from fear and weakness. |
Why? Can we assume that our ideas are firstly instinctual; firstly emotional and our reason, our logic, is only the mental justification of our emotions... an attempt to make others be able to understand our emotions? Can this be assumed?
my entire arguement stems from this assumption. If one's ideas are just the mind's pondering over one's pre-disposed emotions, it follows that one's logic position is inter-connected to one's emotions. the two are mutually inclusive and essentially, the same thing.
therefore, finding fault in the logic is tantamount to finding fault in the emotions, right? so why would the inverse not be true? i find fault in your emotional pre-dispositions and defeat your logic position at the root.
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GePap
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of the Big Apple
Nov 2001 time: 23:37
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quote: Originally posted by Albert Speer
GePap:
Why? Can we assume that our ideas are firstly instinctual; firstly emotional and our reason, our logic, is only the mental justification of our emotions... an attempt to make others be able to understand our emotions? Can this be assumed? |
There is a reason why nietzsche sees a need for the slave morality as he calls it- becuase it builds a depth of character, as man strives to enslave and battle himself. Nowhere does Nietzsche then advocate simply unleashed emotions- destruction in the cause of new creation is different from simple destruction.
quote:
my entire arguement stems from this assumption. If one's ideas are just the mind's pondering over one's pre-disposed emotions, it follows that one's logic position is inter-connected to one's emotions. the two are mutually inclusive and essentially, the same thing. |
You forget to find were adhominems are coming from emotionally. What emotion would rive you to use them? Given that they are logically weak, you generally resort to insults when:
1. You are trying to impress a third party of your superiority
2. Fear the other side.
So you would resort to adhominems simply out of insecurity or fear, which are emotions of weakness, emotions that undermine you.
quote:
therefore, finding fault in the logic is tantamount to finding fault in the emotions, right? so why would the inverse not be true? i find fault in your emotional pre-dispositions and defeat your logic position at the root. |
An insult i no way finds fault with the toher side- it ascribes a fault based on your emotion, and the hope that the third parties who are present share some notions similar to you.
And No, you conflation of logic and emotion is in the end incorrect as well. We may use logic to justify underlying feelings to ourselves and others, but the tool of logic (for that is what, logic and reason are, tools) is not born of your emotions anymore than any other tool of ours was born from our emotions.
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Whaleboy
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Please make all cheques payable to Whaleboy
Jan 2003 time: 05:37
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quote:
But when critiqueing an artist, don't you also critique the idea or thing that inspired the work as well as the work itself? You critique a Picasso painting on its own grounds AND that which it attempted to represent... why did Picasso choose this idea/thing? was it a good one to choose? did he fulfill the idea's/thing's unconcealment or portrayal that is the work?
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Art is a poor analogy since not only does one not critique it in the same manner as a logical position, since art is inherently emotive whereas a reasoned argument is not. Now you can deconstruct it, and then critically analyse that, but there you resort back to the irrelevancy of the person arguing to the argument/conclusion itself. Here's another example. If I am a convicted murderer, arguing an age-old argument, say Descartes "trademark" argument for god. My opponent is an atheist. He may attack me, but what bearing does that have on the argument itself? It's easier of course here because the argument is not one I came up with, merely chose, whereas the issue is clouded when an argument / conclusion is created by the arguer... as far as the debate is concerned, same thing goes. The only difference is in the royalties . I defy you to find a similar example in the Art world, since the example you gave has more in common with a psycho-analysis of the arguer rather than the argument itself. In order to refute me, you need to show why ad hominems affect the argument in question. Without using ad hominems .
quote:
the correctness of an arguement is analogous to the beauty of a work of art. I'm not discussing the beauty of the arguement but its equivalent.
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Different kettle of fish. Aesthetics isn't related to critical theory in so far as a debate is concerned. Now I could get existentialist on you and say that all is art anyway since the logical merit of any given argument is equally, necessarily and relativistically 0, but that's beside the point, since a debate in this context still refuses to allow ad hominems.
quote:
Nietzsche's (and Hume's) 'emotivism', as Whaleboy calls it
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Mine is better described by Ayer and Stevenson, or at least based upon that (since they deal with moral prescriptivism whereas I'm taking a wider approach... same logic at work though). Hume, of course, would be woefully dissatisfied at the use of ad hominem to bridge the fact/value distinction .
quote:
Nietzsche's annoyance with the soulless reason of Kant and Schopenhaur and his emphasis on the spirit, the emotions, and the plurality of the soul can allow one to infer that he would argue roughly what i am argueing.
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Hardly, the phenomologists have a logic of their own that needn't resort to ad hominem. Of course, it's easier with a phenomenologist to analyse their character, Sartre being the best example in my opinion however that does not affect their views one bit. Again you need to show how an attack on a person rationally affects the argument purported.
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Boris Godunov
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Portland, OR
Aug 2001 time: 00:37
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If someone is an idiot, then the position they're advocating will likely reflect that idiocy, so you should still argue the position, not the person. Simply dismissing the other person as an idiot just makes you look weak and unable to argue the point at hand.
quote: Originally posted by Albert Speer
The racist's plan concerns the schooling in a mainly minority area so there is a relation and one could realistically infer that the racist's education policy is racially based. |
The same is true of the racist example. If a racist is advocating something, then his plan will probably reflect that racism, in which case you can argue against the plan without resorting to an ad hominem. If the plan is racist, we don't need to attack the person, that would be redundant.
If, however, the plan happens to be free of racism, despite the person's known bias, then the ad hominem is pointless and does nothing for the debate except include a useless variable.
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