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Static Universe
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Here's something interesting I found about a man named R.N. Elliott and his Wave principle.
http://members.tripod.com/vismath7/...dings/green.htm
quote:
Elliott applied the principles of holism, waves, pluralism and internal self-organization independently of external causes to develop an understanding of human society. Elliott thought that mass psychology, impelled by emotion and not reason, was the driving force of human society. Thus, the waves that passed through society were emotional moods |
http://www.elliottwave.com/education/welcome/1.htm
quote:
The Wave Principle is a detailed description of how groups of people behave. It reveals that mass psychology swings from pessimism to optimism and back in a natural sequence, creating specific and measurable patterns.
One of the easiest places to see this phenomenon at work is in the financial markets, where changing investor psychology is recorded in the form of price movements. If you can identify repeating patterns in prices, and figure out where in those repeating patterns we are today, then you can predict where we are going in the future.
The Elliott Wave Principle is named for its discoverer, Ralph Nelson Elliott. Mr. Elliott completed the bulk of his work on the Principle in the 1930s and 1940s.
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He was writing in the forties at roughly the same time Asimov was writing Foundation. He started out trying to predict the stock market, but later generalized his views to emcompass all society. Some of this stuff is very similar to psychohistry.
I googled "Elliot Wave Principle", and apparently this is still used in stock market analysis by some.
Any thoughts, anyone?
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Static Universe
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Here's another interesting link:
http://www.psychohistory.com/
quote: Psychohistory, the science of historical motivation, combines the insights of psychotherapy with the research methodology of the social sciences to understand the emotional origin of the social and political behavior of groups and nations, past and present.
The center of psychohistorical research around the globe is The Institute for Psychohistory, which is headquartered in New York City and has 18 branches in other countries. The Institute is chartered by the State of New York as a not-for-profit educational corporation, the Association for Psychohistory, Inc., and for the past 28 years has published The Journal of Psychohistory, various books by The Psychohistory Press, and has been affiliated with the International Psychohistorical Association, which holds an annual convention. Its director is Lloyd deMause, whose work (see below for full texts) is used in most college courses in psychohistory.
This website contains extensive material reproduced from The Journal of Psychohistory and from deMause's books: Foundations of Psychohistory, Reagan's America and The Emotional Life of Nations. It also contains addresses of Institute branches and links to the International Psychohistorical Association and other websites and discussion lists. |
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chegitz guevara
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Ft. Lauderdale, FL Communist Party of Apolyton
Jun 2000 time: 00:26
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As a story, I think Foundation fails (yeah, I just finished reading it). At no point is there any doubt that each plan will come together exactly as planned. There is no scrambling, no uncertainty. The only suspence in the book is because we don't know the Seldon Plan, so to speak.
It was an interesting read, and in some ways, I felt like I was reading an analgoy of the history of another philosophy I hold close to my heart. Psychohistory is teleological. Everything is building towards an "unstoppable goal. (though the idea that something as fluid as history could be planned so far in advance is laughable)."
Like my own philosophy, psychohistory argues that it is the movement of larger historical forces (i.e., objective factors)that make history. It has a critical weakness, however, in that it assumes that the right person, the subjective factor, will always be present. This is only sometimes the case. They don't make the wrong choices in Foundation. They never make mistakes, or rather, only the antagonists make mistakes, not the protagonists. What if the right person isn't on the scene?
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