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Rogan Josh
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quote: [small] Originally posted by CyberGnu[/small]
"familiariy breeds contempt"
Not in my experience... I work at Caltech, and regularly run into at least two recent nobel prize winners. Going to ignore a seminar by Watson in an hour, actually. But my familiarity with them doesn't in any way breed any contempt... Watson is a good example: he hasn;t done any research in years, but I still respect the man very much. He was a pioneer in the field, and when he speaks people listen. |
Heh! Funny you should say this because I have exactly the contrary opinion. I too know a few Nobel laureates (and a few Field medalists) and once you get to know them, they are either complete shits or pretty ordinary.
In fact, the only exceptions to this I have met are Witten (who is a Feild medalist) and t'Hoft.
I wouldn't say that familiarity breeds comtempt, but it definitely makes you realise that they **** like all the rest of us.
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Static Universe
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quote: Originally posted by JohnT
Hey! A mind once changed can never change again! 
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Sorry, I ride the tide of ideas. 
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Static, it is obvious that you wanted more of a blueprint than an novel and you are upset because Robinson didn't give you one. As KSR writes it, he leaves too much of the technology to what David Brin calls "hand-waving" - just making it appear and asking the reader to accept it.
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This "hand-waving" business is just shorthand for sloppy exposition skills, which is exactly my problem with most current science fiction. This is acceptable for most science fiction, because most sci-fi authors don't try to pass themselves off as technical writers, but it has moved into hard sci-fi as well. It simply isn't adequate to drop in the names of scientific processes/devices and let the reader fill in the blanks.
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What would have been your reaction had he just added a century to all the dates? Knowing that it wasn't so close to "today", would you allow more leniency on how in-depth he went into the technology?
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The dates are largely irrelevant, since Robinson doesn't bother to tell us what year it is anyway until midway through the novel (unless I missed it the first time). More sloppiness on his part.
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Sorry, but that's why they call it fiction. You want a real world plan for colonizing Mars, maybe they'll have something at the JPL or NASA sites. 
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I'll check there. 
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I really enjoy books with shifting viewpoints, and unlike some of the others in this thread, I think that Robinson used this technique effectively. I was kind of resigned to the novel being Maya's story when I got the pleasure of being shifted to Nadia's perspective.
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I thought the shift in perspective from Maya to Nadia was handled rather clumsily. And it doesn't really help that most of the character setup in the book is done fram Maya's POV, when Nadia makes clear that Maya's views cannot be trusted. It all works out though, because all the characters are generic stereotypes anyway.
And how do you reconcile Maya's descriptions of Frank with the fact that she is in love with him in the rest of the book? Is she merely hiding the truth from herself? I can buy that idea, but Robinson handles it poorly, IMO.
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I kind of chuckled when I got to the personality grid... I appreciate an author who is honest and ballsy enough to tell us that he uses a formula to develop his characters! |
I disagree that formulaic can be considered "honest and ballsy", no matter how clever the formula may be. And as I said before, I don't think Robinson came up with this formula himself.
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chegitz guevara
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Ft. Lauderdale, FL Communist Party of Apolyton
Jun 2000 time: 00:27
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The main character in the book is not any of the obvious characters. The main character is humanity itself. Humanity is the character undergowing growth and change. Mars is the antagonist, creating the situation that forces the change. It is through the secondary characters that we witness the transformation of humanity.
I would like to disagree with the idea that the characters in the novel lack depth. I would argue they have more depth than most characters. Why? Because unlike characters in most books, we see these characters from many viewpoints, none of which are the same. In a sense, this is a literary version of Kiwosawa's Ran.
When we first get to know Frank, he's a murderer. Then we see his leadership qualities and his jealousy from Maya. He's a non-entity to Nadia except as a foil to Arkady. John sees him as a former friend. Frank sees himself as put-on by the world (and it's clear from the writing that Frank suffers from moderate to severe depression).
Maya's a crazy b*tch at first (okay, well, always), deeper and loving from John's point of view, a manipulator from Frank's point of view, etc. We see all these, and we gain a deeper understanding of all these characters througout the book. Far from being one-dimensional, these characters have great depth.
. . . Imran seems to have beaten me to this point. Well, great minds think alike.
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