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Rufus T. Firefly
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is one way of saying it, though I prefer "mensch"
Sep 2000 time: 07:31
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You know the deal: you really like some artist or band, follow their careers, listen to everything new they put out. And then they release something so breathtakingly godawful that you shake your head and wonder what the hell happened. I'm not talking about the unusual or experiment; I happily listened when Sinead O'Connor wanted to sing show tunes, or when Elvis Costello decided to do duets with an opera soprano. I mean they put out a cd that seems to systematically betray or deny everything you ever liked about them and their music to begin with.
I'm listening to what was, for me, the long-anticipated, eponymous Liz Phair cd. Jesus F*cking Christ on a crutch! From innovative indie darling, ripped off by countless acts since she released Exile in Guyville in '95, Liz has become something I didn't think it was possible to be: an Avril Lavigne wannabe.
I feel so used.
So, any other tales of musical betrayal out there?
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asleepathewheel
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listening too long to one song
Mar 2002 time: 00:31
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Dave Matthews Band-Everyday
REM: Everything after Monster
Everclear's most recent
smashing Pumpkin's last stillborn efforts (after mellon collie)
another vote for Live Secret Samadhi and Bush Razorblade Suitcase.
(I think there's a pattern here...hmm)
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molly bloom
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Lundenwic
Oct 2001 time: 15:31
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David Bowie's 'Never Let Me Down'. Think it couldn't get worse after 'Tonight'? Think of a song with Mickey Rourke helping out. In my teens I was a Bowie fanatic- this album made me want to put razors in my eyes and liquid cement in my ears.
Only saving grace was the first single, and the video for same.
Talking Heads' 'Speaking in Tongues'- not sure what I was expecting (an improvement on 'Remain in Light'? Not easy) but a set of songs in search of an album wasn't it. Some excellent songs that individually show the Heads' genius, but somehow that put all together flop before the finishing line.
The B 52's 'Mesopotamia' first version (before the David Byrne help out). Again, a possible change of direction for the group that led them into a cul de sac. It just didn't sound like the party out of bounds B 52's I loved.
I second Television's 'Adventure' - the problem being that after the stratospheric heights of 'Marquee Moon' what do you do?
Similarly, Siouxsie and the Banshees 'Join Hands'- shambolic successor to 'The Scream', and Magazine's 'Secondhand Daylight'- not a patch on 'Real Life'. Les Negresses Vertes couldn't reach the inspired heights of lunacy and joie de vivre of 'Mlah!'.
The Future Sound of London's 'Dead Cities' I found a let down, Jethro Tull's 'Heavy Horses', Saint Etienne's 'Sound of Water', Massive Attack's '100th Window' (great live show, though)...quite a few of Miles Davis's last few albums...
Still- all of these folks have furnished me with great enjoyment, so anyone not prepared to risk failure ain't worth listening to.
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