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PresidentMarcos
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Maybe he was just really drunk...or not. Accident my codlings.
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Guynemer
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Wiglaf sighting!
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mrmitchell
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quote: Furthermore Clinton was a draft dodger and you worship him. Shut-up already! |
No, I worship him because he's a fellow Arkansan. Didn't you know? All Arkansans are required to give The Great Clinton a nice healthy BJ once a week.
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Boris Godunov
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Portland, OR
Aug 2001 time: 00:35
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quote: Originally posted by Imran Siddiqui
quote: I do not ascribe to these scenarios as being true |
Is this for your benefit? To convince yourself? Any 'question' that begins with "Gee, I wonder" is never really a question, but rather a statement in the form of a question (ie, "Gee, I wonder who ate my sandwich?", "Gee, I wonder who could have stole my boots", etc.). |
Yeah, and when the "Gee, I wonder" is about a hypothetical situation, since it hadn't even been established (nor did I assert) that that the destruction of said documents was deliberate or malicious? 
Gee, I wonder why you didn't actually answer the questions, but just went off on another lawyerish diversionary tactic?
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JohnT

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Capitalist
Mar 1999 time: 00:35
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quote: Originally posted by Alex
come on, do you really believe those records were 'accidentally' destroyed? |
My wife worked on a committee to save deteriorating microfiche's and microfilms for the U. of Ga libraries back in the early-mid 1990's, and, despite their best efforts, over 20% of the stock was lost. There are also a large number of films (as in movies) that are no longer extant in their original version due to deteriorating film stock, leaving us with second rate third-hand copies. Fewer than 20% of American silent films still exist in complete form, and for all films made before 1950, only 1/2 survive. Typically the problem is caused by dissolving nitrate, which separates the emulsion from the base.
Film stock based on acetate are particularly vulnerable, which constituted the majority of all microfilm/microfiche stock up to the late 1980's.
This is a real issue, and was one that only gained prominence about a decade, decade-and-a-half ago. It wasn't until 1996 that Congress authorized funds for the National Archives and Records Administration (NARA) to transfer Federal acetate-microfiche records to a more stable polyester based film stock (they also required that all future Federal microfiching to use polyester film stock). Because of the rate of deterioration, the NARA, logically, was more aggressive in preserving older records (like WW1 enlistment records) than newer ones, assuming that they had more time with the 1960's-onward. However, film stock is very sensitive to storage conditions which means that many records from the later periods were still lost.
Sorry, but I don't see a conspiracy here, rather just another example of something that has been a problem for decades.
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Dis
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Las Vegas, Nevada
Feb 2000 time: 21:35
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quote: Originally posted by JohnT
My wife worked on a committee to save deteriorating microfiche's and microfilms for the U. of Ga libraries back in the early-mid 1990's, and, despite their best efforts, over 20% of the stock was lost. There are also a large number of films (as in movies) that are no longer extant in their original version due to deteriorating film stock, leaving us with second rate third-hand copies. Fewer than 20% of American silent films still exist in complete form, and for all films made before 1950, only 1/2 survive. Typically the problem is caused by dissolving nitrate, which separates the emulsion from the base.
Film stock based on acetate are particularly vulnerable, which constituted the majority of all microfilm/microfiche stock up to the late 1980's.
This is a real issue, and was one that only gained prominence about a decade, decade-and-a-half ago. It wasn't until 1996 that Congress authorized funds for the National Archives and Records Administration (NARA) to transfer Federal acetate-microfiche records to a more stable polyester based film stock (they also required that all future Federal microfiching to use polyester film stock). Because of the rate of deterioration, the NARA, logically, was more aggressive in preserving older records (like WW1 enlistment records) than newer ones, assuming that they had more time with the 1960's-onward. However, film stock is very sensitive to storage conditions which means that many records from the later periods were still lost.
Sorry, but I don't see a conspiracy here, rather just another example of something that has been a problem for decades. |
As I was saying above. This type of storage isn't that useful. Very unreliable. I don't know why they don't just go to digital storage. Although even that can be unreliable in some cases.
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