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MRT144
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Seattle Washington
Oct 2002 time: 21:31
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ok hold up. just because the japanese made DCO synths, doesnt mean they somehow have contributed to music. Yeah, the 303 is nifty, but its definitely not what led to electronic music (if anything the 808 and 909 were far bigger contributors to not only electronic music but also music as a whole)
if were taking this logic further youd wind up with all sorts of loony conclusions.
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Lazarus and the Gimp
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Whale-raping abomination
Aug 2000 time: 05:31
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quote: Originally posted by Boshko
Well traditional Korean court music is pretty much just a rip-off of the Chinese, folk music is a quite a bit more interesting, mostly precussion of various sorts...
Well the thing is that old-style Asian music (at least in Korea) isn't really a living tradition, a lot of people learn to play it but its mostly just learning old tunes (just like with most older styles of music in the west), there isn't any real growth or change.
Then there's modern Asian pop/rap/rock/whatever in which in just about every single case is COMPLETELY deriviative of Western styles and with virtually NO influence of older Asian styles (again, at least in Korea). Modern Asian music (like that of the modern music of many non-English speaking countries all over the world) tends to be so ridiculously derivative of American/English/etc. styles that Asian artists constantly get sued for cranking out songs that are basically direct translations of English songs (Usher seems to be the target du jour recently). The only real exception seems to be Japan, where music seems to be moving in a lot of much more creative directions, and it'll probably take a decade or three for Korean or Chinese mainstream music to get to the level of Japanese music today. |
As has been (at least partially) addressed already, that's has a degree of truth where East Asia is concerned, it's in no way true of India/Pakistan. Bhangra and Qawwali are developments of traditional styles, and have developed swiftly and profoundly. This may be due to less cultural upheaval in the aftermath of WW2, I suppose.
Then again, Indian/Pakistani/Bangladeshi culture doesn't have as big an impact on US life as it does on British life. It's one of the good parts of our colonial oppressor past.
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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:31
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The rapper Jin is Chinese. one of the rappers in the group Smilez and Southstar is Asian.
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mindseye
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A Yankee living in Shanghai
Apr 1999 time: 13:31
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quote: Originally posted by Buck Birdseed
I have a theory on this and perhaps the east asians on this board could help me deicde whether it's true or bollocks. I believe the lack of good pop music is due to the lack of decent-sized working class youth subcultures. The kids are too rich and too respectful of their elders. But that's just a guess. |
Not East Asian, but living there and wondering about this, too.
I think you are quite right that there is not much of a working class youth subculture, at least not here in China. Middle class youths are certainly large enough in number, but for cultural/historic/political reasons (Confucianism, family structure, state-controlled media etc) there is not much of the spirit of rebellion that is such a vital spark to so much good western rock/pop.
There is, however, no shortage of youth subculture of consumerism, which helps explain the predominance of slickly-packaged Asian superstar pop that is so awful to most western ears.
I think this is why there are many Chinese versions of Britney Spears, but no Chinese versions of Courtney Love (or anything remotely like her).
There is a tiny Chinese independant music scene (including punk) centered mainly in Beijing. It seems to be very small, of the hundreds (> 1,000?) young Chinese I've worked with, I've met probably less than ten interested in any kind of "alternative" music. Finding a young person into jazz or R&B is about as far out as you'll find. 
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