 |
| |
|
|
Asher
|
 |
Calgary, Alberta
Nov 1999
time: 22:34
|
|
So yesterday, one of the best albums I've heard in years was released: Rob Thomas' (of matchbox twenty) ...something to be. It's just awesome. And it's not like MB20, it's more ecclectic. Don't really know how to explain it.
Rolling Stone magazine's review:Matchbox Twenty guy makes groove-oriented disc, dares you not to like him after Santana's "Smooth," even the most skeptical critics had to acknowledge that Rob Thomas was an exceedingly crafty singer-songwriter. The evidence continues to mount on . . . Something to Be, Thomas' impressive and at times surprising solo debut. He hasn't simply cooked up a meat-and-potatoes Matchbox Twenty album on his own -- the fare here is significantly spicier, with Latin and even funk undertones. Backed by a varied group of players including Robert Randolph, Heartbreaker Mike Campbell and Dr. Dre bassist Mike Elizondo, Thomas hits to all fields. "Lonely No More," the first single, and "Something to Be" are riffy wonders that show him making a separate peace with the hip-hop universe. "Problem Girl" is gorgeous folk rock. Even Matchbox-ish numbers like "Ever the Same" sound fresh in this new context. Underestimate Thomas at your own peril. The disc is a "DualDisc". One side is a CD, the other is a DVD. The CD side is a normal...CD. The DVD side has a DVD-audio version of the album, which is a digital 5.1 channel mix, 24-bit @ 96KHz. It also has a documentary, bonus song (New York Christmas), photos, lyrics, etc.
buy buy buy! (or otherwise acquire...)
Discuss!
|
|
| |
|
| |
|
|
|
Agathon
|
 |
Leafs 4TW!! - CPA
Dec 2002
time: 00:34
|
|
I was too lazy: that quote was from St Leo's link
Anyway 
quote:
(Entertainment Weekly) -- Rob Thomas: adept craftsman or musical agent of Satan? Sometimes it's hard to tell.
With Thomas' reedy whine at center stage, matchbox twenty embodied rock's drift into joyless, store-brand monotony by the late '90s. Every so often, though, Thomas thinks outside the matchbox and makes up for his transgressions.
''Smooth,'' his 1999 hot-tamale matchup with Santana, was one such moment of revelation, and ''Lonely No More,'' the irresistible initial single from Thomas' wide-ranging first solo outing, "Something to Be," is another.
Encircled by DJ beats, warp-speed bass lines, and a ''whoa-oh!'' refrain, Thomas sounds less like his usual tortured self and more like a boy-band veteran who still knows a thing or two about a grabby hook. Who knew he could be so pop, so rhythmic, so tolerable?
"Something to Be" doesn't always snap and crackle the way that single does, but it's not for lack of trying. Matchbox often strove to prove they had more to offer, but everything -- even their cracks at gospel and country -- sounded pretty identical. On his own, Thomas works hard to avoid that trap. (He's become his generation's Phil Collins -- an industry-savvy schmoozer eager to collaborate with others and lighten way up.)
Who would have thought he could concoct a taut, driven track like ''This Is How a Heart Breaks'' or graceful, near-Byrdsian gems like ''When the Heartache Ends'' and ''Problem Girl''? If matchbox twenty make the musical equivalent of supersize blockbuster movies, the best parts of "Something to Be" are akin to a more intimate indie film. Even Thomas' lyrics -- typically angsty and needy and delivered, as usual, with a suggestion of deep-seated resentment -- are less intrusive. What a difference better accompaniment makes.
Alas, the nuance that infuses a good chunk of "Something to Be" eventually gives way to the hammy, overemotive gestures we've come to expect from Thomas. The strained funk of ''I Am an Illusion'' is painful, as is the football-chant bombast of the look-how-dark-I-can-be title song (in which he lacerates himself for appearing ''a little too boy next door'' and feeling he should ''try to find a downtown whore'').
The nadir is ''Streetcorner Symphony,'' an embarrassing foray into '70s FM rock in which he slurps about going ''down to the corner'' with ''my sisters and my brothers of every different color.'' The song feels like the world's greatest Black Crowes parody -- until you realize Thomas is completely serious.
''Sometimes I'm people I never hoped that I would be,'' he sings in ''I Am an Illusion.'' Luckily, Thomas also manages, just enough, to be someone a pure-pop fan always hoped he would be, too. |
|
|
| |
|
| |
|
| |
|
| |
|
|
|
Asher
|
|
Calgary, Alberta
Nov 1999
time: 22:34
|
|
From Imran's selectively-copied article...
quote:
Ultimately, however, Thomas wanted to combine his guitar-centric roots with the deeper grooves of urban music. "The thing that gets me off is having tracks that have Tom Petty's guitar player and Dr. Dre's bass player on them," says Thomas, who also recruited John Mayer to play guitar. "I wanted a record that bass players would listen to and go, 'Man, that's funky.'" Adds the album's producer, Matt Serletic, "Rob's always been sort of a soulful singer. This was an opportunity to highlight that."
Thomas is enjoying the solo life -- "You don't have to wait for five guys to get things done" -- but he swears that he is still committed to Matchbox Twenty, who have released three platinum albums since 1996. "We've broken up so many times that I don't imagine it ever sticking," he says. "But we were uninspired. If we had made a record now, we would become every bad thing critics have said about us." |
|
|
| |
|
| |
All times are GMT. The time now is 05:34.
Apolyton Time is 00:34. |
top of page
|
|
|
Forum Rules:
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
|
HTML code is ON
vB code is ON
Smilies are ON
[IMG] code is ON
|
|
|
|
|
|
21-04-2005 05:24
|