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finbar
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Castiglion Fiorentino, Italy
Jan 1970 time: 06:19
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quote: Originally posted by Snapcase
"They're Coming to Take Me Away, Ha-Haaa!" only has 30 letters and doesn't even come close to the unbracketed record (54 letters, held by The Charlatans' "I Never Want An Easy Life If Me And He Were Ever To Get There"), let alone the longest title one. The hit in question has 115 letters, not counting punctuation. Early seventies.
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You mean there's something longer than the Carpenters' 1977 "Calling Occupants Of Interplanetary Craft (The Recognised Anthem Of World Contact Day)"? Which, using my fingers, tallies 73 letters?
There should be a law against it.
Edit. 20 minutes later. Snappy, do these long title questions pertain to the British charts? Because, for the British charts, I can't find anything longer than the Carpenters' 73 letters. Unless it's not listed in my sources by its full title. And if it's not, I wouldn't be in the least bit surprised.
Apart from that, my album sources are sadly lacking, so I'll have to concede on the longest album title. I can only assume it was one of those ****ers like Rick Wakeman or ELP.
Last edited by finbar on 03-05-2002 at 09:09
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Fiera
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Proud Member of the Spanish Gang
Mar 2000 time: 06:19
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quote: Originally posted by Snapcase
Which, of course, is "You Can Make Me Dance Sing Or Anything (Even Take The Dog For A Walk, Mend A Fuse, Fold Away The Ironing Board, Or Any Other Domestic Shortcomings)" by Rod Stewart/The Faces, #12 in 1974. |
And no, the holidays aren't over. In fact, we're having what we call a "bridge", that is, a non-holiday (today) is turned into a holiday so we can have a run of five free days (from wednesday to sunday). And then some people wonder why we Spanish are only know to foreigners for our fiestas... 
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finbar
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Castiglion Fiorentino, Italy
Jan 1970 time: 06:19
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quote: Originally posted by Snapcase
Damn it, if you knew all the answers you should have let someone else have a go! |
And wait five years for someone to guess - at most - two or three of them? It was, after all, one of the more arcane questions. Which was why I was going to ask it. 
quote: Actually, it's not The Clash (Who are disqualified anyway for having a #1 hit with the 1991 reissue of Should I Stay or Should I Go), but a band with no less than 19 top-40-but-not-top-10 hits, from 78 to 95. |
AC-DC.
Edit. This is bizarre. When I replied to Snappy with this post, neither Fiera's post - re AC-DC - nor even Supersneak's post had appeared. And they were posted hours ago. When I posted this, they appeared. S-p-o-o-k-y.
quote: Sorry, not Love Letters in the Sand. Two out of the three million-sellers are Eighties tracks... |
This one's intriguing.
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finbar
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Castiglion Fiorentino, Italy
Jan 1970 time: 06:19
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quote: Originally posted by SuperSneak
Fin...that's who I was thinking of, and calling it, erroneously, a "comeback" when I should have termed it more of a "re-entry". After some initial huge hits that were followed up by a horrendous publicity backfire (taken to court by the PM for a slanderous depiction of infidelity) I figured it was a reset back on the popularity path....but I guess slamming the status quo doesn't necessarily make us unpopular, now does it?
You got it, in any case. |
The Move issued postcards featuring PM Harold Wilson naked in a bath to promote their single "Flowers In The Rain". After legal action, Wilson copped all royalties from the song and donated them to charity. If anything, the whole thing made The Move more popular with the youth of the time.
The Move, a Birmingham band, were basically a meltdown of egos waiting to happen. You had, at the band's peak, Jeff Lynne (later of ELO, et al), Roy Wood (one of Brit music's wonderful eccentrics and brilliant musos, later of Wizzard, et al) and Bev Bevan (later of ELO). "Flowers In The Rain" is a great song, famous apart from anything else for being the first record played on BBC's Radio One - the BBC's first pop station - when it opened. Roy Wood's "Blackberry Way" - a sort of tribute/pastiche to/of "Penny Lane" and "Strawberry Fields" - is another Move track worth checking out. Roy was very fond of tributes/pastiches.
After The Move transmogrified into Electric Light Orchestra, Roy got a bit bored - well, okay, there wasn't enough room in 100 bands for egos the size of Roy's and Jeff Lynne's - and Roy departed. Some of the stuff he did, later, with Wizzard, remains quite extraordinary.
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finbar
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Castiglion Fiorentino, Italy
Jan 1970 time: 06:19
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quote: Originally posted by Snapcase
Off the top of my head I could probably have named (at least) Ricky Valance, Z & E, Greenbaum, Marvin, and probably Matthew's Southern Comfort as well.  |
My point exactly. What hope would anyone else have had? I wouldn't have got Ricky Valance but I knew the others you name, along with "Michelle" and "Fire".
quote: I'm slightly suspicious about The Archies, though. Surely that was just one of many names used by studio musicians under Don Kirchner? In fact, a bit of extra research unearths that the three Archies Vocalists were perennial hit-maker Ron Dante and the songwriting team Greenwich/Barry (!), all of which had many top-ten hits- Ron Dante even as a performer. "Tracy" by the Cuff Links anyone? |
True, the bubblegum factories shuffled session musos and singers between studios and called them something else. So it's purely a statistical thing.
Phil Spector - bow down! Mono Rules! - must've started that factory genre. No one - not even Phil - will probably ever know how many times Darlene Love was recorded and under how many names. The Crystals being a classic case - on "He's A Rebel" and "He's Sure The Boy", the girls who, as the Crystals, recorded "Uptown" and "He Hit Me", didn't sing. It was Darlene Love backed by The Blossoms. The original girls returned for "Da Doo Ron Ron" and "Then He Kissed Me". But you'd be hard-pressed to know by listening.
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