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JohnT is offline JohnT

Emperor
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Mar 1999
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  Old Post 14-04-2003 18:09
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I also PM'ed Slowwhand in regards to the "Dreamcatcher" book.

SlowwHand is offline SlowwHand
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quote:
Originally posted by JohnT


Slowwhand, is that a nomination for Dreamcatcher, or just a recommendation?




It's a recommendation, that could be taken as a nomination.
It was a good read.

JohnT is offline JohnT

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  Old Post 14-04-2003 19:28
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Nomination it is!

SlowwHand is offline SlowwHand
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  Old Post 14-04-2003 19:49 Visit SlowwHand's homepage!
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Has several humorous parts, and was written after Stephen King was run down while out for a walk.
Little FYI.

On the inside jacket back, it talks about King, and how he refuses to go in his own basement, for fear a velociraptor is behind the stairs by the fusebox.

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 14-04-2003 20:14
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Is this Stephen King's Dreamcatcher you're talking about? I'm not sure I'd call that "cyberpunk."

quote:

Synopsis:
Once upon a time, in the haunted city of Derry (site of the classics It and Insomnia), four boys stood together and did a brave thing. Certainly a good thing; perhaps even a great thing. Something that changed them in ways they could never begin to understand.

Twenty-five years later, the boys are now men with separate lives and separate troubles. But the ties endure. Each hunting season the foursome reunites in the woods of Maine.

This year, a stranger stumbles into their camp, disoriented, mumbling something about lights in the sky. His incoherent ravings prove to be disturbingly prescient. Before long, these men will be plunged into a horrifying struggle with a creature form another world. Their only chance of survival is locked in their shared past — and in the Dreamcatcher.

JohnT is offline JohnT

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  Old Post 14-04-2003 21:23
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Duh. You know, I read Dreamcatcher and didn't even remember it. But you are right - it isn't cyberpunk any more than Dune is.

Drake Tungsten is offline Drake Tungsten
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Oct 2001
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  Old Post 14-04-2003 21:26
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quote:
But you are right - it isn't cyberpunk any more than Dune is.


How about we nominate both of them anyway?

JohnT is offline JohnT

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SlowwHand is offline SlowwHand
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I don't don't read enough Sci-Fi to know Cyberwhatever, but I read enough to know Dreamcatcher is good, how ever The Club classifies it.

I'll say one thing, I'll never think the same about constipation.

LDiCesare is offline LDiCesare
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Jan 2001
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  Old Post 14-04-2003 23:29
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Not that I troll a lot around OT, but Stephenson's Snow Crash is indeed great. Particularly if you like computers. Stephenson is a great writer.

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Out of curiosity, what genre would people put the Warhammer 40k books in? It's bordering on cyberpunk and science fantasy, methinks... thoughts?

Jon Miller is offline Jon Miller
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May 1999
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  Old Post 15-04-2003 03:55
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quote:
Originally posted by LDiCesare
Not that I troll a lot around OT, but Stephenson's Snow Crash is indeed great. Particularly if you like computers. Stephenson is a great writer.


he has grat stories

and I like his imagary

but hir story coherancy sucks

of course, so do many other fine writers, like Zelanzy

Jon Miller

raghar is offline raghar
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Oct 2002
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  Old Post 15-04-2003 04:13
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I didn't think that small book that I seen was done from movie. So lets nominate Count Zero. It was somewhat better that its prequel. Nice story somewhat more as story than just plaing with mood of the story.

Personally, I think Johnny Mnemonic the movie was crap.

CyberGnu is offline CyberGnu
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quote:
Personally, I think Johnny Mnemonic the movie was crap.


What, with great lines such as "He's going out on the internet! Lower the bandwidth!"

molly bloom is offline molly bloom
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Oct 2001
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  Old Post 15-04-2003 08:48
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I'd like to nominate Richard Kadrey's 'Metrophage'- although all the Stephenson and Gibson and Sterling choices are equally appealing.

"Richard Kadrey's Metrophage (Gollancz Ł10.95, Ace $3.50) is probably best described as second generation cyberpunk. While we don't get any ice jockeys plugging into the nearest Ono-Sendai, we get all the the depraved, decaying drug culture that is the Los Angeles of the future and plenty of low key hi-tech. The scene is superbly detailed, full of sharp observations and vivid descriptions. The story concerns a down on his luck drug dealer, who happens to be a former pawn of the ruling 'committee'. He is streetwise beyond belief and linked to all sorts of nasty people. The setting is perfectly downbeat and forms a perfect background to the rather breakneck adventures that follow. I get the impression that while the novel stands perfectly as is, Kadrey may just be having a little dig at the whole punk literature genre. Nevertheless, the lead character is likeable and believable, the one liners are sharp and occasionally verge on brilliance and the whole thing just avoids going over the top. Excellent, but grab it while it's fresh. "

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 18:16
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quote:
Originally posted by SlowwHand
I read enough to know Dreamcatcher is good


It wasn't that good. Half the plot is ripped off from It and the other half is ripped off from Tommyknockers, and those are only slightly above average King books, at best.

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 18:25
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quote:
Originally posted by LDiCesare
Particularly if you like computers. Stephenson is a great writer.


I agree Stephenson is a great writer, but when he tackles the subject of computers directly, I think he falls apart. I thought In The Beginning Was The Command Line was rather pedestrian and a little naive.

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 18:47
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quote:
Originally posted by raghar
I didn't think that small book that I seen was done from movie. So lets nominate Count Zero. It was somewhat better that its prequel. Nice story somewhat more as story than just plaing with mood of the story.


My problem with this is that Count Zero is the second book in the Sprawl series and the events in CZ spin directly out of Neuromancer. It'll be hard to understand this book without reading the first. (Of course, according with William Gibson, you need a degree in art theory to understand it anyway. Sure, Gib, whatever you say... ).

quote:

Personally, I think Johnny Mnemonic the movie was crap.


Disgusting movie, its only saving grace being that it has Ice-T, Henry Rollins and my main man Udo Kier in it.

The short story on the other hand, was excellent

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 18:49
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I wish I had nominated a book so I could turn around and trash it.

SlowwHand is offline SlowwHand
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  Old Post 15-04-2003 18:55 Visit SlowwHand's homepage!
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Yeah. You seem to have chronic negativity going for you.

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 19:23
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quote:
Originally posted by SlowwHand
Yeah. You seem to have chronic negativity going for you.


I call them like I see them.

I thought Dreamcatcher was a decent read, but King should retire soon for his own good, unless he's got another The Girl Who Loved Tom Gordon left in him.

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 15-04-2003 19:32
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quote:
Originally posted by molly bloom
I'd like to nominate Richard Kadrey's 'Metrophage'- although all the Stephenson and Gibson and Sterling choices are equally appealing.



Metrophage was good, similar to the work of Steve Aylett, who I also like. The complete text is available on line, as well (author released, not illegal).

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 16-04-2003 02:02
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quote:
Originally posted by Static Universe

My problem with this is that Count Zero is the second book in the Sprawl series and the events in CZ spin directly out of Neuromancer. It'll be hard to understand this book without reading the first. (Of course, according with William Gibson, you need a degree in art theory to understand it anyway. Sure, Gib, whatever you say... ).



In case my comments come off here as harsh, this interview with Gibson is what I am referring to:

quote:

WG: If I was doing a thesis on my work, I would try to figure out what the **** that Joseph Cornell stuff means in the middle of Count Zero. That's the key to the whole ****ing thing, how the books are put together and everything. But people won't see it. I think it actually needs someone with a pretty serious art background to understand it. You know, Robert Longo understood that immediately. I was in New York--I've got a lot of fans who are fairly heavy New York artists, sort of "fine art guys", and they got it right away. They read those books around that core. I was actually trying to tell people what I was doing while I was trying to discover it myself.

DW: It goes back to Postmodernism, to pieces again, and to making new wholes from fragments, doesn't it?

WG: Yeah. It's sort of like there's nothing there in the beginning, and you're going to make something, and you don't have anything in you to make it out of, particularly, so you start just grabbing little hunks of kipple, and fitting them together, and... I don't know, it seemed profound at the time, but this morning it's like I can't even remember how it works (laughs).



He also claims Philip K. Dick has no influence whatsoever on him, but here is is using the Dick term "kipple". WTF?

Clear Skies is offline Clear Skies
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  Old Post 16-04-2003 02:42 Visit chegitz guevara's homepage!
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Johnny Mnemonic may very well be Gibson's single best story. I'd have a hard time chosing between that and the short story Burning Chrome. Both are in the Gibson anthology Burning Chrome. Course, I haven't read Virtual Light yet or Mona Lisa Overdrive, so I can't say for sure. My personal opinion on Gibson is his best work was in the begining and he's been getting more boring with each new story.

It would be interesting to nominate an anthology. It would certainly give us a lot to discuss.

raghar is offline raghar
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  Old Post 16-04-2003 02:44
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Well Gibson has more of that. I dissagree with his talks about hackers. He seems to talk like writing books have no connection with this "problem", and he sides with police.

Last edited by raghar on 16-04-2003 at 02:57

Static Universe is offline Static Universe
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Dec 2002
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  Old Post 16-04-2003 17:55
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quote:
Originally posted by raghar
Well Gibson has more of that. I dissagree with his talks about hackers. He seems to talk like writing books have no connection with this "problem", and he sides with police.


Gibson's earliest work is his best: Neuromancer and most of the Burning Chrome stories.

Personally, I think Gibson is to science fiction what Anne Rice is to horror; they're both English Lit majors who couldn't cut it in the field of mainstream fiction, so they try to pass themselves off like they're geniuses slumming in their respective genres.

Gibson's early work is brilliant precisely because he knows almost nothing about technology. By his own admission he knew zilch about computers when he invented his ideas of "cyberspace" in Neuromancer. He'd never even used one.

Only later did he begin peppering his work with "higher" literary characteristics, which more than show why he didn't make it in that world in the first place. He became boring.

Gibson has taken on the role of self-appointed guru of the "cyber" generation (whatever that is), a position he doesn't rightfully deserve to have, bypassing people who have a genuine affinity for the technological world past present and future like Bruce Sterling.

JohnT is offline JohnT

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  Old Post 16-04-2003 21:22
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Nominations are over, the June voting thread is now up and running.

Last edited by JohnT on 17-04-2003 at 00:33

 
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