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Adam Smith
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Maryland, USA
Jan 1970 time: 00:28
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Any self-respecting Euro knows, or at least strongly suspects, that Americans are a bunch of venal hicks who would happily carve up their mothers with a rusty knife and sell the pieces on the open market in order to increase their income. And now, just in time to confirm those deep-seated suspicions, comes “Dogville”, a new film written and directed by Danish filmmaker Lars von Trier.
According to the Washington Post:
quote: "Dogville" is set in a fictional town in the Rockies. Kidman plays Grace, a desperate stranger who asks Dogville's residents (played by Lauren Bacall, Paul Bettany, Stellan Skarsgard, Chloe Sevigny and others) to hide her from ruthless gangsters. Initially portrayed as homespun and considerate folk, the people of Dogville turn out to be morally despicable individuals who are variously treacherous, fear-driven and even rapacious. … In the movie's biblical scheme of things, they get their just deserts. |
European critics and movie goers alike have been beating down the doors in order to see this film, which is the odds-on favorite to win the prestigious Golden Palm award at the Cannes Film Festival. Von Trier is somewhat of a film wunderkind, and has done well at Cannes in the past. Moreover, he is uniquely qualified to make this “harsh indictment of small-town America”. According to the New York Times:
quote: Raised by his radical, nudist Communist parents in an unconventional environment where, as von Trier once put it, everything was permitted except "feelings, religion and enjoyment," von Trier blossomed into a neurotic, left-wing, movie-loving youth. Given a Super-8 camera at age 11, von Trier spent his teens making movies and entered Copenhagen's film school in the early '80s. After winning prizes at the Munich Film Festival in 1981 and 1982 for his student films, and adding the aristocratic "von" to his name … |
But by far the most impressive qualification is that von Trier has never been to the US. Interviewed in the Washington Post, von Trier said:
quote: "The story could have taken place all around the world, but somehow the whole style of it was American. I've been reading Steinbeck. And so I asked myself how it would be" to set a film in the United States.
"Actually, I feel like an American. Ich bin ein American," he said, echoing John F. Kennedy's pro-Berlin comment of the 1960s. "I would love to start a 'free America campaign,' because we've just had a 'free Iraq campaign.' That's how I feel. . . . I am sure it's a beautiful country. I would love to go there [but] I'm afraid of going there. Maybe this is all because of wrong communication [from European media], I don't know. I think it could be a wonderful place, but I'm not able to go to America right now because I don't think America is how it should be." |
Lest anyone think that “von” Trier represents a stunningly unique monument to the vagaries of the artistic temperament, we also have Iranian director Samira Makhmalbaf, whose feminist "Panj e Asr" ("At Five in the Afternoon") is also in the Cannes competition. Last week Makhmalbaf accused President Bush of being “an American version of the Taliban.” So far as I can tell Makhmalbaf has never been to America either.
edit: fixed url's
Last edited by Adam Smith on 21-05-2003 at 03:21
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Albert Speer
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Puerile Polemic
Mar 1999 time: 00:28
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Whats with that iranian radical? yes... her country sure is a lot more tolerant than that evil President Bush...
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Monk
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I don't think we're in Brřnshřj anymore
Jan 1970 time: 06:28
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Spiffor, "Festen" is directed by Thomas Vinterberg and not Lars von Trier. You confuse the two because they're both part of the Danish film wave and the first two who made Dogme 95 films. Festen" was great, though. Nobody thought a movie about incest would ever achieve that degree of public approval.
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Tingkai
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To find the Northwest Passage
Aug 2001 time: 13:28
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quote: Originally posted by The Templar
Bush would never file a lawsuit ... |
Unless he wanted to steal an election.
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Pekka
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em seu burro dos pais!
Feb 2002 time: 07:28
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Well I have enjoyed von Trier films, so I don't know what this thread is about? von Tried having critical views of the US, meaning he's evil and bad, communist spreading propaganda to the minds of all Euros who are semi-commies anyway with their sissy-attitudes to begin with? Where's the beef?
Besides, every damn time our country is presented in small way in a movie, they film it in Moscow or something, plus they got all the facts wrong, like we're not commies etc. So.. where's the beef?
Is von Triers movie automatically anti-US because it's not about praising something we all like? Has anyone actually seen the movie yet? What's wrong with the movie anyway? Does this movie actually state the official view of America in Cannes Film Festival , if there even is one? Why should they even care about the US, and just enjoy the film? I just don't get this, I don't see what the problem is.
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Tingkai
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To find the Northwest Passage
Aug 2001 time: 13:28
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Those goddam Euro trash. This is outrageous!!! I can't believe that bastard made a movie based on stereotypes of Americans. And those commies in Cannes are no better.
You would never ever see a Hollywood movie using sterotypical foreigners.
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Rufus T. Firefly
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is one way of saying it, though I prefer "mensch"
Sep 2000 time: 07:28
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quote: Originally posted by Adam Smith
The point is not that von Trier has never been to the US. The point is that the movie is highly critical of the US without von Trier's even having been here. |
Honest question (not a provocation): have you ever lived abroad (and I mean really lived abroad, not lived on a military base or some other "Little America")? I hadn't until I moved to Turkey 3 years ago, and I was honestly shocked by the extent to which the US makes its present felt here. Every country I've been to, it's been the same -- wherever you go, there's the US: its stores, its news (CNN International should really just be called America for Foreigners), its popular culture images, its very language ("English" in name only; it's our version of English, not the Queen's). Beyond that, it seems very clear that, for most of the world, America acts and everyone else reacts -- and some countries, like Turkey, can scarcely pass a law without wondering what America will think.
My point is that, at this moment in history, not everyone has lived in America. But everyone has had to live with America, and I think that does give them some license to comment. I should have to visit Denmark before I write about the place. But we've spent the last 50 years promoting ourselves to the whole world, asking (if not forcing) the world to Think About America. It would be foolish to think that everyone who took us up on the offer would flatter us.
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