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Ted Striker
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United States of America
Jan 1970 time: 21:24
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Alright, we talked about this in like 3 other threads already, but I thought I would bring it up again, inspired by Starchild's "risquee" fan fiction film.
It seems to me there that the formula for Star Trek needs to be thrown out the window completely. Lots of you are probably all, "duh."
The gritty, edgy theme of Battlestar Galactica seems to have it right. Not just sci fi geeks can watch this show. I thought Battlestar would be lame but when I watched the movie, I was instantly hooked. It was fresh, fun, and gritty.
As for Star Trek, I'm tired of the:
1. Wide shot of the Enterprise in space
2. Captain's Log, blah blah
3. Bunch of people standing around talking about crap
4. Boring, uninspired synthesizer music, segwey to next scene
5. Beam down to the planet, meet new species
6. Boring, uninspired synthesizer music, segwey to next scene
7. Get into a misunderstanding with new species
8. Boring, uninspired synthesizer music, segwey to next scene
9. Come to a resolution with new species through talking it over and mutual understanding
10. Oh wait, that's not going to work, we have to come up with some imaginative copout that's never been tried before to resolve the situation.
11. 
The new Enterprise show had LOTS of potential. The cast was top notch, all young, attractive, dynamic actors with lots of potential. The first show was promising with lots of ACTION and edgyness. The villians and new species were dynamic and mean, showing a dark side to them not seen in a few years since the franschise is often sterlized and over idealistic.
But after the first few shows, the story faded. The show reverted back to 30 year old story lines. Time travelling must have lost half of the audience. 
So how would you fix the show? Are the producers too afraid to alienate the loyal fan base extremists?
First off I would put more violence into the show, get rid of the tired old segwey's and plot structure that was laid out above. Time travelling is forbidden. The show needs to exist on its on, in it's own time. Put a couple of hot chicks in there but don't make it so obvious with silly body suits. The vulcan chick for example did an outstanding performance, so no need to push her into the sexpot role.
Get back to the common themes of conflict between people. Something we can all relate to. Put more infighting into the show. Let us see characters die and feel bad that they do. And get rid of that tired old, BORING synthesizer music already.
Not everybody has to get along or feel safe all the time.
That's the main problem with Star Trek.
It's too safe. 
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ravagon
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Australia
Sep 1999 time: 13:24
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They should take a much closer look at DS9 and figure out exactly what they got right there.
By which I mean post season 2 of course, after Babylon 5 started to have an influence - an actual story arc rather than the same tired old 'new planet each week' syndrome, and saw DS9 adapt accordingly.
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ravagon
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Australia
Sep 1999 time: 13:24
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Something else I'd like to see - more 'big' episodes.
Star Trek is Space Opera - no harm in reminding viewers exactly what that means every once in a while.
Knock out all the stops and blow out the SFX budget sort of thing.
- B5 had several such episodes every season in which you were reminded just how big the setting really was, with large sections of the story arc being revealed (many of the 2-part episodes), large fleets coming together in epic firefights, etc. More to the point you saw the universe change because of it.
ST (DS9 aside) has done precious little of this ...
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mrmitchell
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Give it a vacation. It needs it.
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MRT144
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Seattle Washington
Oct 2002 time: 21:24
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sue the hell out of fanfic made webisode
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Edan
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A couple of possiilities for interesting Star Trek shows:
A show based on Section 31
A show based from the Romulan perspective (with more politics/backstabbing)
That said, I don't want Star Trek to lose it's optimistic vision or start making huge radical changes - otherwise it really wouldn't be star trek,
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ravagon
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Australia
Sep 1999 time: 13:24
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B5 wasn't just a special effects extravaganza though - season 1 in particular didn't have large scale fleet engagements but did have many very very good episodes that hinted at what was to come - 'Midnight on the firing line' (No really big fleets fighting it out but it did show off the Narn war machine and introduce the Narn-Centauri feud in a major way), 'Mindwar' (that closing scene with nothing more than an ant on a flower still gives me chills), 'The coming of shadows', 'A voice in the wilderness' (well, this did have a few FX thrown in but very low-grade by the later seasons standards) were huge episodes.
JMS just managed to hit on a near-perfect blend of story-telling, mysticism and FX that produced one of the best sagas of all time.
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