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JohnT

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Capitalist
Mar 1999 time: 00:21
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quote: Good. These movies are usually very difficult to see outside of independant cinemas in large urban areas. To my knowledge, and that's probably the same in America, there are in Quebec 4 independant theaters for a population of 7,5 millions, while crap like Star Wars can be seen in over 200 theaters. |
However, here in Knoxville there are three independent theaters (12 screens in total) in a city of 300,000 (and yes, they show French (Ameile, Chocolat) and Russian (the original Solaris screened about a year ago, Eisenstein is a campus regular) films (don't know about the Finnish)). The problem lies not with the US but with Quebec, Boris. Ask them why they don't want to see smaller pictures.
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JohnT

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Capitalist
Mar 1999 time: 00:21
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quote: Originally posted by Oncle Boris
Toronto's film industry is pretty much Americanized anyway, but truly Canadian productions face the same problems that others do. The American public is one of the most close-minded in the world (last time I heard the market share of American films in America is 98% or something)1. Of course that movie majors possess the distribution channels in North America (including Canada) doesn't seem to have any effect on the imports of Danish productions2. 
How many Canadian films can you name from your memory?3
Re Quebec, a simple but sad truth: French. The general public in America doesn't want subtitles4. Others in Europe are more open-minded, and despite Quebec's small size there are people interested about our culture in Germany, Italy, etc. Many Quebecois filsm get their entry there by the movie festivals, which have much more influence over there than in corporate stigmatized America5. |
Sadly ignorant post, Boris.
1. Define "American" film. Is it the New Zealand produced Return of the King, a film that was the number 1 movie of 2003? Is it Cold Mountain, a film featuring American stars, an English director, and a Romanian film crew?
2. The motion picture production units (Disney, Miramax, etc) do not, repeat, do not own the "distribution channels" (i.e., theaters) and haven't done so since the 1950's when dual ownership of studios and theaters was disallowed under the Sherman Antitrust Act. You base many of your subsequent arguments with this "fact" in mind - stop it.
3. Videodrome (most of Croenenberg's work, actually), Agnes, Mother of God, Bach and Broccoli, Strange Brew, 32 Short Films about Glenn Gould, The Red Violin.
4. Which explains the success of CT/HD, Hero, Ameilie, Osama, and a whole host of imports?
5. Excepting the LA, NY, and Sundance Film festivals, not to mention the numerous local film festivals that exist in every city of over a quarter-million people (hell, there's even a Knoxville film festival, though granted, we obviously care more for quality movies than the Quebecois who can't be bothered to throw up a decent alternative theater).
Last edited by JohnT on 09-10-2004 at 08:47
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